Frequently Asked Questions

Never booked a British male voice over artist before?

Let me help you with some frequently asked questions.

The information contained here is updated regularly. Please think of it as general guidance.

If you’d like more detailed information to help with your voiceover hiring, I’ve written two step-by-step guides in my blog:

I hope you find them useful.

If you’d like to suggest a question for these FAQs to help other clients, I’d be happy to receive it. Please email me or use my contact form.

  • What is Chas short for?

    Charles. It’s also French for ‘eye of a needle’ (un petit French degree fact).

    As far as I know, I’m the only British Chas in the world doing voiceover.

    Not to be confused with Chase (a bank), Chad (a country), Chas ‘n’ Dave (a cockney band), or jazz (a musical genre or NBA basketball team).

  • What is the correct spelling of voiceover?

    Well, the Oxford English Dictionary writes it: “voice-over”.

    I prefer the compound noun, “voiceover”. I also studied German at university and it’s full of compound nouns like Rindfleischetikettierungsüberwachungsaufgabenübertragungsgesetz.

    “Voice over” is also common, but it would be nice to settle on a modern spelling.

    In the UK, I’m commonly known as a voiceover artist. In the US, I’d be a voice actor.

  • How do I hire you?

    Well, I’m glad you asked as I hope we can work together.

    I’ve actually written a blog on this subject, which includes a handy, step-by-step guide. Please click here for details.

  • How much does a voiceover cost?

    The simplest way to price a voiceover project is:

    Recording fee + usage fee 

    The recording fee is also known as a BSF (Basic Studio/Session Fee). This hourly rate compensates the artist for things like their time, performance skills and use of their professional recording equipment.

    Voiceover costs do vary – and every project has its price, because every project is different.

    Costs typically correspond to the genre of voiceover being performed and how that voiceover is used (the ”usage”).

    To understand the usage, clients should think carefully about:

    • Who is the client?
    • How is the voiceover being shown/heard?
    • Is it for internal or public use?
    • How many times will it be shown/heard?
    • For how long?
    • On how many platforms or products?
    • Who is the audience? Is it big or small?

     

    For example, will it be broadcast on radio and/or TV, in cinemas, on Spotify, on a company website, for a You Tuber with millions of views, as a You Tube pre-roll advert, on a video game, on an in-house video or presentation, at a  conference, or at a one-night-only awards show?

    Knowing these things will help define your brief. And having a good brief will help an artist quote fairly and accurately.

    Other cost considerations are whether or not you’d like to direct and attend the recording sessions and how much recording and editing the voiceover artist needs to do, if they don’t have a producer.

    If you’re casting for a TV commercial, you can calculate rates at www.usefee.tv. Naturally, TV adverts also shown on the web attract additional usage fees.

    Independent Local Radio (ILR) rates are agreed with broadcasters by the acting union, Equity, and are updated annually. For radio commercials booked through advertising agencies, artists set their own rates within generally accepted guidelines.

    If you’d like a quote for particular project, the best thing to do is ask, giving as much detail about the project as possible.

  • How much does a corporate video or explainer video cost?

    Again, this would be a case of:

    recording fee + usage fee 

    And you would also need to think about:

    • Who is the client?
    • How is the voiceover being shown/heard?
    • Is it for internal or public use?
    • How many times will it be shown/heard?
    • For how long?
    • On how many platforms or products?
    • Who is the audience? Is it big or small?

    If you’d like a quote, please email me or use my contact form.

  • How much does an E-Learning project cost?

    E-Learning projects are typically priced per word. They can be long and need to be split into separate files, so rates will apply for editing and organising the files. Internal E-Learning projects are licensed for use for 12 months. Please enquire about courses that are sold.

  • What is IVR?

    IVR stands for Interactive Voice Response. It’s the recorded voice you get while waiting to be connected on a phone call. It’s also known as “on hold messaging” or – in the US – “telephony”.

  • How much does IVR/on hold/telephony cost?

    I charge a basic fee, then a price per prompt. Please email me for a quote.

    On-hold messages are licensed for use for 12 months.

  • Can I listen in (or attend in person) and direct a recording session?

    Yes, of course. We can do this via phone, Skype, Zoom, Source Connect or ISDN. I’m also happy to demo a few lines, have you approve the tone, and then self-direct (to save you time). I can then send you the finished audio via email or WeTransfer.

  • Can I choose the audio format of the finished recording(s)?

    Yes, indeed. Mp3, .wav, .aiff and .wma versions are all available. For any others, please email me or get in touch via my contact form.

  • We own the rights and can do whatever we want with your recording, right?

    Well, not quite. You can only the use the audio for what we’ve agreed under contract.

    Under UK law, the voiceover artist retains ”performers’ rights” for at least 50 years. This means that you have to effectively hire out, or license, a recording for use.

    My voiceover recordings can be licensed for 1, 2, 3 and 5 years and are renewed on that basis. See above for how much does a voiceover cost?

    Please click here for a helpful video presentation about voiceover licensing for hirers.

    Any voiceover recording used beyond the originally agreed usage (i.e. licence) would require written permission from me, and relevant rates would also apply.

  • We’re a very small organisation on a tight budget. What can you do?

    Thank you for choosing me. Please drop me an email, or use my contact form, giving as much detail as possible about your project, and let’s see if we can work something out. It could be the start of a beautiful relationship.

  • We’re casting a few voices for a project. Would you demo a script?

    Yes, I’m more than happy to do a few lines as a sample. However, longer demos will be watermarked with a tone or my name at regular intervals throughout the recording.

  • We’re in a hurry. Can you record outside office hours?

    Yes, that can be negotiated at applicable rates.

  • We’ve got a big job (with an indeterminate number of scripts). What can you do?

    I would really need full and final details of the project (is it for e-learning, a series of corporate videos or explainer videos?) in order to quote you fairly and correctly. Given the volume of work, we might be able to arrange a bulk deal. Please email me for a quote with full details about the project (or use my contact form).

  • After booking and recording, the client decided to go with another voice talent. What next?

    Oh, I’m sorry to hear that, as I enjoyed working with you. When we work together, we sign a contract under my terms of business, which we are bound by. In this case, I would bill for the previously agreed work and usage.

  • We'd like to change the script after the voiceover has been recorded and sent back. What can you do?

    That can certainly happen from time to time, as I appreciate the best copy sometimes takes a while to refine.

    However, please understand that my voiceover would have been recorded on the understanding that the script had been fully checked and ”signed off”. We would have also signed a contract to that effect.

    If you’d like to change a script post-recording, that’s fine. However, if the changes are extensive, then under my terms of business, they would represent a fresh script and a fresh recording fee (basic studio/session fee or BSF) would apply. I’m happy to do pick-ups or inserts (additional lines) for applicable rates, but please bear in mind that any amendments may be noticeable, particularly if different studios or microphones are used.

    So please, please check and double check before submitting your scripts as final. It will save us both time.

  • What do your rates cover?

    Understandably, and besides my skills and time, the usual things that cost money to run a professional business: computer (and recording equipment), annual software licences, maintenance and upgrades, line rental and fibre broadband, lighting, heating, online marketing, training and skills development, membership subscriptions, pension contributions – and of course, tax.

  • What do your rates not cover?

    Travel time to and from studios and travel costs e.g. rail. Also relicensing of a vocal performance.

  • Are your rates negotiable?

    Yes, within reason. I’m a fair-minded guy and welcome the business. Let’s see how we can work together. Please email me with details about your project, or use my contact form.

  • What are your payment terms?

    Payment is due within 30 days from the invoice date, preferably via UK bank transfer (BACS). For international customers, I can also take payments via Transferwise or Paypal. For new clients, payment may be due up front, or at a certain percentage up front, and the rest on completion of the work. FilePurch is one facility that does this.

    Late payments may result in the statutory fee (£40) and statutory annual percentage rate (currently 8.75%) being applied in accordance with the Late Payment of Commercial Debts (Interest) Act 1998.

  • My question is not on your FAQs. May I contact you?

    Yes, of course. Please send me an email or drop me a message through my contact form. I’m more than happy to help.

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